Both in the use of colour and black and white photography, Piero Viti reserves special attention to shadows and lights, which tell of its sources of greatest inspiration: Titian, Caravaggio and Flemish masters Van Dyck and Vermeer, confirming its deep concern in the pictorial composition and resulting fruition of the photographic image. Photography by Piero [...]

Piero Viti's dialogue between photography and painting and the influences of the Renaissance painters is particularly visible in his NATURE MORTE. The constant play of lights, the enhancement of colors, this theatrical scenography and the search for a plasticity, accompanies the photographic work of Piero Viti in these paintings captured in an instant, with the [...]