PORTRAITS

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In this work PORTRAITS Piero Viti and Claire Clelia Baldo travelled between Paris, Venice, Rome and London meeting and photographing renowned artists belonging to various expressive forms. Their work revolves around this photographic duo that mirrors their respective techniques. For each artist photographed Piero Viti and Claire Baldo deliver their interpretation, their images presented then [...]

30|40

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This series of portraits are realised between Venice and Paris. The title refers to the shooting time, which takes place between 30 and 40 seconds. In this work, Claire Clelia Baldo questions the identity that is transformed through the deformations of the movement. The body, the being is no longer known, it becomes something else. [...]

RITRATTI

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Both in the use of colour and black and white photography, Piero Viti reserves special attention to shadows and lights, which tell of its sources of greatest inspiration: Titian, Caravaggio and Flemish masters Van Dyck and Vermeer, confirming its deep concern in the pictorial composition and resulting fruition of the photographic image. Photography by Piero [...]

SENSE 2:7

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In Sense 2: 7, Claire Clelia Baldo examines the universe of skin and body as a landscape. A sensory exploration by the gaze, the touch. The sensation of the skin gradually taking shape, forming improbable roads, secret places of intimacy, adding or subtracting itself from the known, offering a new vision of the other. The [...]

NATURE MORTE

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Piero Viti's dialogue between photography and painting and the influences of the Renaissance painters is particularly visible in his Still Life. The constant play of lights, the enhancement of colors, this theatrical scenography and the search for a plasticity, accompanies the photographic work of Piero Viti in these paintings captured in an instant, with the [...]